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The Collected Short Fiction of C.J. Cherryh, by C. J. Cherryh
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All of C.J. Cherryh's award-winning short fiction, collected in one volume for the first time...
“It’s rare that I’m not working on a novel. Short stories often happen between novels. Consequently my output is fairly small. But I love the tale-telling concept, the notion that I can spin a yarn, rather than construct something architectural and precise.”
So writes triple Hugo Award-winning author C.J. Cherryh in the introduction to this book, the first comprehensive collection of her independent short fiction. For though Cherryh is primarily known for her novels, it’s clear both from the more than two dozen brilliant and varied stories collected here, as well as her commentaries about them, that she loves the short forms and truly enjoys her forays into them.
We welcome you to join the realms of C. J. Cherryh’s imagination, where you’ll visit: “Cassandra”—the Hugo Award-winning tale of a woman cursed with a unique, prophetic madness. “Threads of Time”—an unforgettable reminder that when you play tricks in time, Time itself may play the greatest trick on you. Sunfall—in which six mighty Earth cities laden with the grandeur of history confront their fates in the far future light of our own dying sun. And many other magical, alien, and future worlds, in a volume that incorporates all C. J. Cherryh’s previous, long-unavailable collections, individual short stories that have never been compiled before, and a never-before-published novella written specifically for this book.
Board this spaceship where your tour guide is one of the most gifted and brilliant science fiction and fantasy writers, and embark on a journey fueled by the imagination of the incomparable C. J. Cherryh.
- Sales Rank: #2077570 in Books
- Brand: Cherryh, C. J.
- Model: 4186052
- Published on: 2008-10-07
- Released on: 2008-10-07
- Original language: English
- Number of items: 1
- Dimensions: 6.76" h x 1.62" w x 4.38" l, .75 pounds
- Binding: Mass Market Paperback
- 736 pages
From Publishers Weekly
Sure to appeal to Cherryh enthusiasts as well as initiates, this omnibus volume gathers the stories from two out-of-print collections, Sunfall (1981) and Visible Light (1986), plus 16 additional tales. The majority showcase the author's talent for depicting the effect of history on individuals. In the Sunfall stories, about a far-future Earth where the Sun has begun to cool, Cherryh dramatizes how the inhabitants of such cities as Paris, London and Moscow might cope with gradual cultural and physical collapse. "Masks," a new Sunfall story original to this book, portrays carnevale revels in a far-future Venice as if it were again an independent city-state. The Visible Light section, which includes the Hugo-winning "Cassandra," highlights her skill at creating poignant, believable characters embedded in political and personal conflicts. Notable in the miscellaneous group is "Pots," which simultaneously recapitulates differing priorities in the politics and science of archeology. Its basic premise, that archeological truth is not always acceptable to those in power, could equally describe the past or the future of this science. Some may wish that the author's brief general introduction and new introduction to the Visible Light stories were more substantial, but all readers should appreciate her short fiction's lyrical blend of SF and fantasy.
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From Booklist
This massive and valuable collection reprints all of Cherryh's short fiction, beginning with the contents of two out-of-print theme collections. Sunfall (1981) consists of seven stories (one of them new as of this volume) of Earth's great cities in a far future when the mother planet is hardly more than a memory to her interstellar children. The stories of Visible Light (1986) are offered as if they were the work of a traveler telling tales at spaceports or aboard starships as he or she wanders across the wine-dark universe. "Cassandra" is a Hugo Award winner and, with "A Thief in Korianth" (a shorter early version of Angel with the Sword, 1985) and "The Last Tower," enjoys classic status in the Cherryh canon. Toward the end comes an assortment of "Other Short Fiction," amid which "The Dark King," "The Unshadowed Land," and "Gwydion and the Dragon" are outstanding. Cherryh crafts even less impressive stories well enough to verify her reputation for brilliance and versatility. Roland Green
Copyright © American Library Association. All rights reserved
Review
"Sure to appeal to Cherryh enthusiasts as well as initiates... all readers should appreciate her short fiction's lyrical blend of SF and fantasy. The majority (of the stories) showcase the author's talent for depicting the effect of history on individuals. The Visible Light section, which includes the Hugo-winning 'Cassandra,' highlights her skill at creating poignant, believable characters embedded in political and personal conflicts." —Publishers Weekly
"This massive and valuable collection reprints all of Cherryh's short fiction... 'Cassandra' is a Hugo Award winner and, with 'A Thief in Korianth' and 'The Last Tower,' enjoyes classic status in the Cherryh canon. Toward the end comes an assortment of 'Other Short Fiction,' amid which 'The Dark King,' 'The Unshadowed Land,' and 'Gwydion and the Dragon' are outstanding. Cherryh crafts even less impressive stories well enough to verify her reputation for brilliance and versatility." —Booklist
"The twenty-nine short stories, novellas, and novelettes gathered here represent the best of Cherryh's short fiction. Known primarily for such novels as Cuckoo's Egg and the 'Chanur' series, Cherryh demonstrates a fine flair for compact storytelling that encompasses science, fantasy, and myth." —Library Journal
"A quarter-century of short stories shows an award-winning writer to be master of more than just novels. Economical, swift, varied, employing just the right amount of detail, they are all eminently readable and often accomplish the same thing the novels do in a fraction of the space. In these days of ever-increasing book prices, this mammoth volume represents a bargain at its modest price. But of course, it's the high quality of the stories that seals the deal." —SciFi.com
"Highly intelligent and inexhaustibly imaginative, this versatile collection should be cherished for decades to come. Much more than entertainment, The Collected short Fiction of C.J. Cherryh is literary history unearthed." —The Barnes & Noble Review
Most helpful customer reviews
5 of 7 people found the following review helpful.
A collected treat!
By G. E. Williams
If you love the work of Ms Cherryh, this is a book for you. If, like I did, you already had the three books of short fiction contained in this volume it is still a book for you. First of all it is bound up in one beautiful hardback volume, so it looks a lot nicer in your library(not to mention the three have become valuable as collector items, so you can protect them and put them away). But it also has the advantage of some additional insights of the author as well as a story made especially for this edition. Lastly, if you don't have these stories in some other form you are missing a real treat. Ms. Cherryh's multi level writing style is always rewarding, and if you like I do have made an effort to own everything she has written will give you essential, parts of stories that you may have missed, (for example, Faery In Shadow, would be a head scratcher with out reading the first half of the story only available in the short story collections. Hint, Hint Publisher... Why don't you publish that Story in one volume for collectors? This is a great Airport Book, as it short stories and has natural breaks, but also the author, has set the book up as a story teller speaking to a traveler. Excellent!
0 of 0 people found the following review helpful.
Amusingly, one volume of most of her short stories is still shorter than any one of her novels
By Michael Battaglia
Short stories are good for authors because they let them play with ideas that are either wildly different from what they would normally write and perhaps take ideas that can't be developed into a full brick of a novel into a still workable tale. Short story collections are often good for giving the reader a glimpse at what else an author can do besides what they might normally be used to without having to scour magazines and various anthologies to hunt down the interesting side trails, not unlike haunting record shops and online auction sites to find the obscure B-side of some beloved band, although the latter scenario does have a better chance of turning into the basis for a romantic comedy, while the former probably has a higher chance of making you the subject of some cautionary documentary, depending on how that obsession is taken.
Fortunately, at least in CJ Cherryh's case, her publisher was nice enough to come out with a large volume of collected short stories. It doesn't make any claims as to being complete and I'm not sure that it is, but as the author herself points out in the introduction, her output in that vein is fairly scant anyway so this is probably at best the cream of the crop, compiling two different out of print short story collections as well as various odds and ends that have appeared elsewhere.
For me, this is an opportunity to what else Cherryh has to offer. I have an inordinate fondness for her Alliance-Union novels, which merge action and space politics and a view of aliens that feels truly alien at times while still being accessible like no one else has ever really done, at least not to that extent. And while I know she's written other novels and other series, none of them have ever really grabbed me enough to make me want to try reading them. So what we have here is a welcome variety in a format that she herself admits isn't really her forte.
For the most part you can tell short stories seem to exist as a clearinghouse for ideas that don't quite have the thematic weight to carry an entire novel, although in the first collection, "Sunfall", she goes out of her way to theme each story after a famous city of the world, giving us future views of how the cities might develop without always sticking to strict science-fiction and more often than not venturing into fantasy (at least two of them, the Paris and the London tales, could be interpreted as ghost stories, though I suppose you could make a broad case for the Moscow one as well) . . . in generally every case the ideas are intriguing and in the New York story she manages to concoct a rather crackling political murder mystery case out of it. There's also one new story about Venice, which is entertaining enough without setting the world on fire. One thing that strikes me about her stories is how consistent she is . . . her stories have the mark of a master craftsman in the sense that you get the impression she doesn't write a short story (or anything, really) unless she's pretty confident of how the results are going to turn out. There's no wild experimentation at play here, no messing with story structure or points of view, they're well told and solidly told tales . . . sometimes I wish she took a few more chances but that's more a personal quirk than a comment on their quality.
The second collection is a little more of a mixed bag, despite having a Hugo Award winner amongst its members ("Cassandra", which oddly is one of the few that didn't do much for me). You have to be saddled with a slightly pretentious interstitial piece between each story where she talks to an unnamed person about stories and the ideas behind the various stories, which didn't seem totally necessary but it was probably part of the original collection. Fortunately you get more actual science-fiction this time out, with a more expansive story that might qualify as novella length ("Companions") that she makes work with just one actual character and one of those alien viewpoints she's great with, this one encompassing an entire world. She also manages a couple decent fantasy tales that play with some genre conventions ("A Thief in Korianth", which otherwise reads like one of her SF tales despite the inclusion of swords) although some of the fantasy tends to get bogged down somewhat in itself, until you're not entirely sure what's going on ("The Brothers" suffers a little from this, although it manages to nail the landing more or less and achieving some nice otherworldly moments).
In the last section of catch-all tales we finally start to get some Alliance-Union stories and, alas, accuse me of knowing what I like or being a space meat and potatoes kind of person, but I found those tales to be the best of the set, with "Scapegoat" managing a folded structure, layers of political considerations and an alien viewpoint that is vastly different but ultimately understandable, with an ending that even when you see it coming still hits like a punch in the gut. Some of the fantasy tales have touching moments ("Willow" in particular has a nice final line and "Sea Change" is creepy and touching, no mean feat). The fantasy tale I enjoyed the most consistently through was "Of Law and Magic" which takes a clever premise of an alternate world and has some fun with it. But it's the Alliance Union tales that feel the most grounded in actual stakes ("Mech" comes close, mostly by being gritty) and even when she's being somewhat goofy (the instant messaging sequences in the last tale), there's an urgent clatter and intensity to her space stories that all the fantasy and ghost stories, for all their merits are often somewhat lacking. If nothing else, it proves that the best place to experience Cherryh is in the novels (preferably the Alliance-Union ones, in my opinion) as the length gives her the room to really stretch out and develop the situations and themes but the short stories prove that she has more sides to her than what might first appear. You can imagine it as a sampler of sorts, keeping in mind that if you like these, there's only better ahead.
6 of 7 people found the following review helpful.
Great sf anthology
By A Customer
This is an interesting collection that is divided into three categories: Sunfall, Visible Light, and other stories. Fans of the author will appreciate that her talent with short stories matches that of her novels. Newcomers will gain a wonderful taste of one of the best speculative fiction authors of the past two plus decades.
The Sunfall tales were mostly published in the early 1980s collection with one new one never seen before this addition. These nine fabulous stories focus on life in the cities as the sun begins to cool.
The eight wonderful tales that make up the Visible Light anthology were released in the mid 1980s. These delightful stories focus on individuals who in many cases could be you or me overwhelmed by external conflict often outside their control.
The other section is more of a potpourri that contains fifteen interesting contributions, but though each one is well written, they also feel like fill-in material at least in this anthology. Even the strongest tale of the book, Pots in which archeological truths fail to stand up to political realities, seems out of place.
To overcome that feeling of displacement, this reviewer read the collected short fiction as if there were three short story books. Each one provides plenty of enjoyment to readers.
Harriet Klausner
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